• About
  • Contact
  • Terms & Conditions
  • Cookies
  • Share on

MWNF Travel Books


Islamic Art in the Mediterranean | Tunisia
2010, Paperback
2010, eBook
2002, Paperback
Title Ifriqiya
Subtitle Thirteen Centuries of Art and Architecture in Tunisia
312 pages, 230 colour illustrations, 15 plans
Series Islamic Art in the Mediterranean
   
Country Tunisia
   
Author(s) J. Binous, N. Baklouti, A. Ben Tanfous, K. Bouteraa, M. Rammah, A. Zouari, M. Chapoutot-Remadi
Local Coordinator(s) Selim Benattia, Miriam Erraïs
Photographer(s) Salah Jabeur, Guillermo Maestro Casado, Sélim Benattia
   
Publisher(s) MWNF (Vienna), international co-edition
   
Languages Deutsch, English, Español, Français, Italiano.
   
Description Ifriqiya: Thirteen Centuries of Art and Architecture in Tunisia is a voyage through the history of the Islamic architecture of the Maghreb, to uncover a millenary civilisation that made works of art of its most important spaces. The great Islamic dynasties – Abbasids, Aghlabids, Fatimids, Zirids, Almohads, Hafsids, Ottomans – and Islamic religious schools and movements left the mark of their artistic expression over the centuries. Islamic art in Tunisia is a cultural crossroad, widely influenced by local artistic customs, by Andalusian and eastern architectural and decorative elements, by Arab, Roman and Berber traditions and by the variety of its natural landscape.

Eleven itineraries invite you to discover 108 museums, monuments and sites in Tunis, Sidi Bou Saïd, Bizerte, Testour, Al-Kef, Kairouan, Mahdia, Sfax, Tozeur and Gabès (among others).

More about this Booksda
Tunisia offers a synoptic and chronological vision spanning thirteen centuries of Islamic History. After the creation of Kairouan at the rise of the Islamic era – during which time local traditions were enriched with the distant souvenir of Samarra – successive dynasties embellished the architectural language of the area with their own unique artistic expressions. The Aghlabid monuments, for example, offer the dual physiognomy of Christian art revisited by oriental craftsmanship, which was in turn inspired by the artistic language of Egypt and Mesopotamia. The ornamental innovations of the Fatimid caliphate that followed, was then a source of inspiration re-visited during the Zirid era. The long centuries of Hafside prosperity, stimulated by the arrival of exiled Andalusians, signalled the creative pinnacle of an art of symbiosis: Hispanic-Maghreb art. This successful cross-fertilisation of local austerity married with Cordoban-Umayyad splendour, would in itself promote an incredible architectural renewal until Ifriqiya became part of the Ottoman Empire. Tunis medina is a good place to witness the creation of a typically Muslim civic model, facilitating an image in the mind's eye of the luxury of daily life in the pleasure palaces of the surrounding environment. Between Bizerte and Ghar el Melh, the emphasis is placed on the prosperous Andalusian villages, whereas on the last promontories of the Djebel Dyr, El-Kef illustrates the dual destiny, military and spiritual, of a highly influential centre for Sufism. The princely towns of Raqqada and Mahdia and the ribat towns of Monastir and Sousse offer yet other manifestation of artistic exuberance. Sfax, being Tunisia's true gate to the Levant and the most southern nomadic land, witnessed the caravanserais (of Gafsa, Tozeur, Nefta) and the troglodytic ksours that offer so perfect a response to the hostility of a semi-desert environment and, in contrast, the serene functionality of Jerbian architecture which summarises the rigorous authenticity of insular Ibadism. Tunisia unravels each of its expressions in a synchronous spiral, a revolution that encouraged the continuity of previous traditions.
Formats, Prices & Orders
English version


Paperback [2002, 15 x 21.5 cm, available]
Déméter, Tunisia, ISBN 9781874044444

Paperback [2010, 15.2 x 22.9 cm, ISBN 9783902782182, available]

eBook [2010, ISBN 9783902782199, available]
Get it now from Amazon, Apple iBooks

Note

No Note